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Social Networking and Music: MySpace Puts It All Together in a
Virtual Community
Today's music fan
interacts with a "community" that is far larger than anyone ever
dreamed possible before the widespread personal use of the Internet.
This social networking is changing the way people market and sell
music and it's doing so on a global scale.
Here's How:
One fan hears a song and "tells" a dozen
others online. Each, in turn, sends the information (and sometimes
the entire song file) to another dozen people, and so on. If the
song's hook is catchy and universal enough, the artist can reach
thousands of fans in a matter of seconds. It's fast, it's easy, it's
free, and it's global.
Does this viral communication bring any
income for that artist (or songwriter, or publisher, or manager, or
agent, or distributor, or record label)? No. But does it provide
vital publicity that has the potential of selling singles, albums,
concert tickets and merchandise? Absolutely.
The New Means of Marketing:
This is a quantum shift in marketing. It
holds out the possibility of bypassing brick-and-mortar
distribution, while severely curtailing the barely-legal forms of
radio "promotion" that many in the industry openly refer to as
payola or commercial station extortion.
All this is possible thanks to an
ever-growing variety of online forms of communication, including
music sites, web portals, blogs (weblogs), music forums, and more. A
new site called MySpace.com has put all of these elements together
in one place. And because of their vision, MySpace is becoming an
information destination for bands, fans, filmmakers, writers,
artists, record industry professionals, and more.
The MySpace Nation: "Where do you live?"
used to be a question that was spoken out loud; it's now typed. The
answer to that question used to simply signify which part of a city
you were from, with an accompanying suggestion of your
socio-economic status, and a hint about which mall might be your
usual hangout; it now refers not only to your city, but also your
state, region or country.
Your virtual "scene" may involve people
anywhere on the globe. My virtual community begins in Los Angeles
and extends to Moscow, Big Bear, Amsterdam, San Francisco, London,
New York, Miami, and several places I have not yet learned to spell
correctly. In fact, thanks to social networks like MySpace, one can
interact with several scenes. The people who like my goth songs
overlap slightly with the rave-trance songs on my remix album, but
they are not interested in the music I create for radio and
television commercials (they can be quite disdainful of it, in
fact). But each social network welcomes news of new music in their
own favorite styles.
MySpace: The Future is Now
With two million members (and growing),
MySpace.com offers a multi-level entertainment opportunity involving
blogs, instant messaging, classifieds, peer voting, special interest
groups, user forums and user-created content. Is it popular? You
bet: they have statistics that show the site receiving 35 million
impressions per day at an average of one hour online per visit. So
far, all MySpace services are free, with the site supported entirely
by advertisers who are eager to reach exactly the young, web-savvy
and web-social music fan that MySpace.com attracts.
Created by Chris DeWolfe and Tom Anderson,
MySpace is already successful on a level that caught many industry
onlookers by surprise. While the main MySpace site leads to pure
social networking, the section of the site called MySpace Music is a
revolutionary way to reach their built-in web audience of two
million networked users, and has the potential of rapidly expanding
beyond that already impressive figure. As a means of launching
unsigned and emerging recording artists, MySpace Music is a
formidible tool.
Inside the Minds of the MySpace Creators:
"MySpace Music is what MP3.com should have
been, but never was," Anderson said. "Very few people go to a
website looking for bands they've never heard of. MySpace Music lets
people find music online in the same way they find out about music
in person: through their friends. Millions of friends come to
MySpace to socialize, and through that process -- word of mouth and
recommendations of friends -- bands get exposure to new fans and
fans to new music." DeWolfe continues, "The most exciting use of
MySpace Music is the way it's changing the band-to-fan dynamic. A
band can go on MySpace and find potential fans all over the country
just by sending an e-mail and saying 'Hello.' Bands are developing
followings and finding street teams online." Offering downloads,
band web pages, and the ability to connect directly with artists is
just part of the attraction of MySpace Music. Each visitor to the
site also can participate via user testimonials and ratings. The
artists are also able to access a wide variety of music business
contacts.
Details from DeWolfe:
G-Man: What's the history of MySpace?
Chris DeWolfe: We launched the general
MySpace site in September of 2003. Our vision was to create a portal
where our users could mobilize and connect around shared interests
-- whether those interests be music, television, dating, nightlife,
politics, religion or anything else.
G-Man: How does music fit into the MySpace
network?
Chris DeWolfe: Almost from the day we
launched, music became one of the primary interests of MySpace
users. We believe that most people hear and sample new music based
on recommendations from friends. The network affect of our site
(friends telling friends), allows new trends and music to spread
very quickly. At the same time, bands began flocking to MySpace as a
mechanism to promote themselves, find new fans, book shows, and even
secure label deals.
G-Man: What are the revenue streams for
MySpace?
Chris DeWolfe: MySpace is currently
supported by online advertising and sponsorship. We may add premium
services later, but any service we currently offer for free will
stay that way. We've been lucky to secure top tier advertisers such
as Sony Music, Interscope, Warner Music, Dreamworks, Napster and
others. The promotion works for these types of advertisers because
most of our users are hip 18-34 year-old influencers who love music
and frequently go to movies during the opening weekend.
G-Man: What are the advantages for artists
using MySpace?
Chris DeWolfe: Artists may sell their CDs on
our site. The primary use so far has been for bands to mobilize new
fans who they ordinarily wouldn't have met. A band from Iowa can
quickly develop a following in New York or Los Angeles.
Additionally, bands use the site to book tours and fill venues. The
MySpace social network is international. Because MySpace is an
online network, it makes geographical boundaries less relevant.
G-Man: Can you compare the MySpace entity
with other networking sites?
Chris DeWolfe: Most sites are narrowly
focused on business networking, classifieds, or dating. MySpace is a
portal that uses a social networking infrastructure. MySpace
includes, games, blogs, music, classifieds, forums, mail, instant
messaging, and user rankings. Our model has lead to an incredibly
sticky site where the average user spends over an hour per session
on the site. We have also served more page views than our largest
competitor in each of the last three months.
MySpace is just extending functionality
around existing mass behavior. Most if not all of those other sites
didn't or don't have that luxury -- they were counting on behavior
to develop around functionality. To put it another way, we're not
building it, hoping people will come. People are already on the site
sharing information about bands; bands are already recruiting fans
and local help; users are already clamoring to download music;
they're already ranking and rating music; they're already showing up
at our parties to hear music they learned about on MySpace. MySpace
music works because two million people are already doing what we're
now making it easier for them to do.
G-Man: What marketing arenas are involved
(or planned to be involved) with MySpace?
Chris DeWolfe: Two of our bigger marketing
partners are the Warped Tour and Rock The Vote. The Warped Tour, in
particular, is a great fit for us. We are sponsoring the Uproar
Stage and bands from MySpace will be playing at Warped Tour venues.
This partnership offers great exposure for MySpace Music and
participating MySpace Music bands.
Rock the Vote is also a great partner as it
fits in with our mission of allowing our users to mobilize around
shared interests. MySpace users can register to vote directly from
our home page. We will also be participating in several of their
music shows.
MySpace Phenomenon On-the-Grow: Strategic
partnerships are developing almost as fast as bands are meeting fans
on the site. The Los Angeles Music Network (www.lamn.com) will bring
its membership base and marketing strength into a partnership
arrangement with MySpace.
Linking listeners, reaching behind borders,
and uniting musicians with fans and industry professionals, the
MySpace nation is a phenomenon. Since a passport is free, everyone
in music marketing had better pay a visit. It's at http://www.myspace.com.
See you there.
Scott G is president of G-Man Music & Radical Radio. His music
is on commercials for Verizon Wireless, Goodrich, Monaco Motor
Coaches, BAE Systems and more. A creative director of the National
Association of Record Industry Professionals (NARIP) and a member of
The Recording Academy (NARAS), he writes about music for
MusicDish.com and the Immedia Wire Service. The G-Man's albums are
released by Delvian Records and are on Apple's iTunes. He can be
reached via
http://www.gmanmusic.com and
http://www.myspace.com/thegman.
For more Myspace related articles see
Myspacexploration
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